in-Between invites viewers to linger in the space between "emptiness" and "form." The black and white voids suggest both eye and tunnel — both seeing and not-seeing. Echoing the Zen notion that emptiness is not nothingness, the painting becomes a perceptual field where presence emerges through absence. It asks: What do we truly see when we look through the narrow frame of perception?

在「空」與「非空」之間遊走的凝視實驗。畫中上下黑白對峙，宛如一雙眼——同時凝望外在世界與內在空間。這並不是視覺對比，更是感知結構的重構。

人眼，亦即感知之門，將萬象縮影於一孔之中。這幅畫在反問：你見到的是光？是影？還是空？
《in-Between》透過「空非空」的節奏，引導觀者進入未被定義之間——一個「不見」反而「更見」的所在。